Using the Infinity Distance MarkEF 70-200mm f/2.8L IS USM. To compensate for shifting of the infinity focus point that results from changes in temperature, you can rotate the distance ring slightly past the normal infinity focus mark. The infinity position at normal temperature is the point at which the vertical line of the L mark is aligned Sara Byrne is half of the husband-and-wife team, Sara K. Byrne Photography based out of Boise, ID. We saw Sara's tutorial on creating in-camera double exposures with her 5D Mark III and thought it might be something all of you might enjoy! The following is a snippet from her tutorial, which she was kind enough to share. Most Canon cameras default to the ‘Standard” setting. Photograph by GuruShots member Brian Mumaw – Canon 5D Mark III – Black and White Textures Challenge. The Canon Picture Style Mode: Monochrome. This final Canon camera hack, for the black & white photographer, is a favorite. Canon EOS 7D Mark II Canon EOS 5D Mark IV Canon EF 24-70mm F4L IS USM Canon EF 200-400mm f/4L IS USM Extender 1.4x HTC One Reply Reply with quote Reply to thread Complain Take an EOS 5D Mark III, install an extremely-high resolution sensor, add some newer features found on the 7D II, add a few brand new features and you have an EOS 5Ds (and 5Ds R). Canon's 5-series lineup has been on a roughly 3-year upgrade cycle. The original Canon EOS 5D DSLR was the first affordable full frame DSLR. It was a highly regarded Put your Canon 5D Mark III into its menu system by pressing the Menu button on the camera’s control panel. Scroll down to the "External Speedlite Control" section and select the "Flash Function Settings" option. Select the option to enable "High-Speed Sync". Choose the shutter speed you would like to use for your High-Speed Sync photography. They include settings for fixing the very abrupt highlight rolloff on the 5D Mark III in video mode, by shifting the usable dynamic range of the camera towards the highs, without compromising noise in the lows or shadow detail. In fact it allows you to expose for the lows without worrying as much about blown highlights. Set the ISO to 400. 3. Select an aperture. F/8 is often a good choice when using a wide-angle lens. 4. Aim your camera to a point in the room which has an average brightness level. Keep away from the brightest areas such as the windows and from the darkest parts of the interior. ueAiOY.